Friday, April 17, 2026

Three Days Off (Free Read)

 2049 AD

The cold Alpine air barely seeped into Interpol’s reinforced training facility, but Jiro still felt it in his bones.

Not because of the temperature—he’d grown used to that—but because of the silence. No drills. No scheduled sparring. No debriefs. Just him and the hum of overhead lights in a temporary stillness called “leave.”

Three days off. A rare gift. Or a punishment, wrapped in synthetic sheets and a too-clean dorm room.

Jiro sprawled across his bed, arms folded behind his head. A holographic photo hovered over his head: He and Junio, squinting against the Philippine sun, haloed in tropical greens and gold. Another year, another trip to the islands. Another year Jiro wasn't allowed to go.

“Government custody,” he muttered bitterly. “Where vacations are nonexistent.”

Last year was different. An exception. He and Junio trained together, fought together, and got matching sunburns. It was a reward when he became vice captain. But this year, they said no. Something about protocol. Something about boundaries.

Jiro turned over and buried his face into the pillow. Unlike Junio, he didn’t have family connections that guaranteed he could come to his hometown once a year. Life was unfair.

The door chimed.

He didn’t answer.

It slid open anyway.

Three kids walked in—teens, maybe a year younger than him, but they moved like ghosts trained in silence. Identical dark brown hair, sharp eyes that darted around like they were scanning the room for threats. Two boys. One girl.

One boy grinned and nodded to him. “You’re Jiro, right?”

Jiro sat up slowly. “You lost?” He was not in the mood for company. This training facility had many children running around because they were just that: children. He was just about to turn sixteen himself. The governments of the world might want to treat them like soldiers, but everyone here was below the age of eighteen. The youngest would be around seven.

“Nope,” the other one replied, bouncing a practice katana on his shoulder. “Hi, Uncle! We’re new.

From a different team. Thought we’d say hi.”

The girl said nothing. Her eyes were the same pale gold as the sinking sun.

“Do I look like your uncle?”

The three laughed like it was some kind of joke between them. It was definitely not a language barrier. “You wanna come out to the yard?” the first one asked. “We’re doing drills.”

Jiro hesitated. He’d been told not to engage with new units unless cleared. But three days off meant nothing if all he did was sulk in his room. “Yeah,” he said, grabbing his own katana. He was bored. “Sure. Why not?”

Outside, under a blanket of low clouds, they trained on the southern field. Matteo—the first boy— moved like a dancer, graceful and precise. Marco—the other one—was aggressive, his strikes deliberate, almost theatrical. Jiro fell into rhythm easily, parrying, correcting, and adapting.

They were thoroughly trained at a young age, Jiro noted. A decade ago, monsters they called Nephilim emerged and rampaged all throughout the planet. Godzilla had nothing on them. No place was untouched. Jiro knew loss firsthand. His own parents were killed in their quiet fishing village. A couple of years ago, he manifested powers. Later, his younger sister manifested powers too. Not long, Interpol recruited them.

Jiro’s powers were in speed and flight. His sister had the power to control plants. His best friend turned into the Philippine Tikbalang, a horse demon of lore. But they all knew their powers were on borrowed time. 

Children between seven and eighteen manifested powers. They don’t know why or how. It was like a lottery. But all of them lost their powers at age eighteen. They also don’t know why.

The governments and the various churches have trained and hired these children to be Earth’s fighting force. Nothing stopped Nephs, not bullets, not knives. Only the Angel-touched children and their powers did.

Jiro’s grandparents signed him up for the recruitment in Interpol, believing he’d get the best training. Jiro just wanted to exterminate the Nephs, avenge his parents. Couple years ago, he met an equally angry boy just a year older than him. He and Junio had been inseparable since.

These three were triplets. Rare. Jiro has heard of twins and siblings being Angel-touched, but he knew that triplets were rare. The Kapre Twins were hailed as one of the greatest Neph Exterminator pairs because of their kill count. Other twins didn’t necessarily have the same powers. Siblings mostly didn’t. He had a younger sister, and she didn’t have the same powers as he did.

Only then did the “grown-ups” realize that the Kapre Twins had a much higher kill count together than apart. Too bad. They turned eighteen last year, and their powers left. Now his best friend, Junio, was able to beat Tino de Oro’s kill count. His commander said he’d rise to the same position as he was next in line after Junio. Sucks to be him, to be valued only as a kill count.

He observed the three. They were playful but didn’t speak much. Asian but seem to understand multiple languages because Jiro was speaking in Japanese and they seem to understand him.

“You hold it too stiff,” Jiro said to Marco after a flurry of blows. “Relax your grip. You’re swinging like it’s a hammer.”

Marco adjusted, then smirked as their blades locked again. “Better?”

“Much.” He showed the proper way to slide and slash.

Nearby, the girl—Lucrezia—stood still, her hands steady as she threw shuriken after shuriken into a tree trunk. Each one landed dead center. “She doesn’t fight up close?” Jiro asked, panting a little.

“Long-range only,” Matteo said. “Dad doesn’t want her anywhere near the Nephs.”

“Who is your dad?” Because all they told him was their name and that they were triplets. Jiro didn’t even know which team they belonged to.

They seemed to have training, but perhaps not in the government program for long, because they might be skilled, but they were, in a way, undisciplined. They coordinated among themselves, but needed more awareness of their surroundings.

“She’s just as deadly from a distance,” Marco added. “You’ll see.” Before Jiro could ask what that meant, Marco grinned. “Hey, you want in on a live test?”

“Want in on a what?”

“A field mission. Real Nephs. Real risk.”

Jiro blinked. “We’d need clearance—”

But they were already surrounding him. And then—

The world faded.

 


 

***

The air was filled with salt and blood.

That’s what hit his nose first.

Jiro gasped as the sky above him turned from gray to a tropical violet. Ocean waves crashed violently

nearby. Screams—both human and monstrous—echoed across the sand.

They were somewhere in the tropics. He could feel it in the air. It was warm. The air felt different, too.

“Fiji, 2048,” Lucrezia said.

“What the hell—?!” Did she just say 2048? 

“Neph incursion,” Matteo said, tossing Jiro a candy. They each took a candy and ate it. Most Angel-touched children needed a calorie hit to prevent a crash when fighting. “Keep up, J2!”

J2 was Junio’s nickname for him. Was this the triplet’s power? Teleportation? But she said 2048. Jiro was so confused, but he had no time to think.

The mermaids were nothing like the legends. These had black eyes and razored tails and webbed hands sharpened into claws. Their screams cracked the air. Nephs in aquatic form.

Nephilim, as the church called them, were monsters of biblical proportion. They came out of nowhere. Their main goal was to devour humans. 

Training kicked in. He’s fought mermaids, and he’d fought uglies before. This felt like another one of those days. With his lightning speed, he made a beeline for the nearest Neph.

Marco charged, katana slashing cleanly through a serpent-like neck. Lucrezia perched on a rocky outcrop, her shuriken arcing through the air in deadly patterns, pinning one creature mid-scream. They turned to dust upon dying.

Jiro fought back-to-back with Matteo. The boy’s strikes mirrored his own so closely that it felt like sparring with Junio. Although the boy didn’t have Junio’s speed, nor did he have Junio’s powers, this boy held his own. Every motion was familiar. 

Too familiar.

After a particularly brutal takedown, Jiro turned, panting. “Where did you learn that strike?”

Matteo only smiled.

Jiro’s gaze slid to their katanas—identical to his and Junio’s. Same balance. Same markings. Same cross. Custom-made.


“Who are you?”


Marco wiped his blade clean. “We’ll explain. Later.”

They teleported into another part of the island and chased more Nephs. Jiro partnered with Matteo, while Marco teamed up with Lucrezia. Matteo was keeping up with his movements, even teleporting to compensate for his lack of speed. These kids were uncanny. He swore it felt so familiar.

There were about a hundred Nephs. The two pairs were deadly and made quick work of the enemy, saving the locals. When the local Neph Extermination Team stepped up, the four of them left.

The triplets brought him back to the facility just before lights out. The same hallways. The same sterile hum. But everything had shifted.

“What. In. The. World!” Jiro wanted answers. These three were uncanny. He’d get in trouble just for being out of the facility without permission.

The two boys grinned from ear to ear while Lucrezia sighed at their antics. “That was fun.”

“No, it wasn’t!” Jiro knew he could be reckless at times. With his speed, he could get out of the facility and hang somewhere with no one the wiser. These kids were on a whole new level. They could teleport anytime, anywhere. Any. Time.

“I’m hungry!” Matteo complained.

“Me too! Got any of those cheese bombs?” Marco asked.

Jiro frowned. They were all wiped from the excursion. “Why not?” He got up and riffled through his kitchenette. Although there was a cafeteria where he could get food, he preferred to keep snacks in his room for midnight meals. Since fighting burned a lot of calories, they were given a kitchenette in each room.

The little cheese bombs were handmade ahead of time and were kept in his mini fridge. Junio loved his cheese bombs. He turned to the three kids who were sitting on his bed. They started to rifle through his manga collection.

They were huddled over a particularly violent manga where he and Junio used to copy the main character’s stance. It was a fantasy-historical manga. He swore the triplets were speaking in a mix of Japanese, Bisaya, and English.

He served the cheese bombs and mysteriously found sandwiches, chips, and juice boxes littered in his bed. They all sat to eat. He looked at the three of them. “Did Junio put you guys up to this?” They could be a cousin from back home or something. They resembled Junio somewhat.

The three erupted into laughter.

“What’s so funny?”

“Nothing, uncle. Today was fun,” the little girl said. They shared their sandwiches, chips, and juice as they recounted their mermaid extermination.

“Matteo should learn to duck lower and swing wider. Marco, you should be more graceful. Lucrezia, you have to learn to use a knife or sword in case an enemy gets up close,” he said.

“We’ll practice,” Matteo said. The other two nodded.

Before leaving, Lucrezia turned to him, soft-voiced for the first time. “Don’t tell him. Not yet.”

“Why not?” Jiro demanded. Because it all made sense. “He’s my brother. He’ll find out.” He knew they were referring to Junio. These three were related to Junio and they didn’t belong at this time.

Matteo nodded. “Exactly. One day. Just… let this moment be ours for now.”

“Ours?”

Marco reached out, gripping Jiro’s shoulder firmly. He had tears in his eyes. “We just wanted to get to know you, uncle. One day, you’ll understand. He’ll understand, too.”

“I want to ask you so many things.”

Lucrezia shook her head. “It’s not time. One day, it will be.”

Matteo, Marco, and Lucrezia stood side by side, shoulders touching. In a flash of light, they disappeared. Jiro frowned. Who were these mysterious teleporting triplets? They disappeared just like that, leaving only empty wrappers and juice boxes as proof of their existence. 

He was cleaning his room when Junio barged in. “Had a party?”

Jiro tied the full garbage bag. “Something like that. Some kids from a different team came by and said hi.”

“Know them?”

He looked at Junio closely. The resemblance was uncanny. He looked like an older version of Matteo and Marco. “I might. They looked familiar.”


“I didn’t see anyone in the hallway.” Junio picked up the remaining cheese bombs and ate them. “Are they joining our team?”

Jiro shook his head. “I don’t know, but something tells me they’ll drop by again.” He noted the gold cross that was tied to Junio’s katana, the same one tied to Matteo’s katana. “How come you’re early?”

Junio shrugged. “Damaso called. There’s another mission.”

“Let’s go.”

 

 

This story is a mini adventure set in the world of Neph XY. Follow the adventures of Stanzo, Junio and the Triplets! 

Neph XY is on Amazon

Thursday, April 9, 2026

New Free Books!

I have some Flash Fiction in my iPad or on random paper. I thought to put it to good use. Sometimes, I like toying with ideas until they turn into full stories. Perhaps they can be part of a bigger, longer story one day.


What's in the book?
5 Flash fiction in one book.
You know that part when you know there's a direction? Will the couples follow it? One of the stories does end up in the altar. These are short, easy-to-read stories of budding romance.

The Lockdown
Genre: Fiction

Iced Americano
Genre: Fiction

Hot Date
Genre: Fiction

Commitment
Genre: Paranormal Romance

The Date
Genre: Fiction, Romance



What's in the book?
4 Romantic Young Adult Stories of Unexpected Couples.

Banana Gambit
Genre: Fiction, YA

Rock and Clouds
Genre: Fantasy, YA

The Other Prom
Genre: Paranormal Romance, YA

Haptics
Genre: Sci Fi Romance




Wednesday, March 11, 2026

Survival Guide: Navigating the Inflation Crisis in the PH

The recent tensions in the Middle East are starting to hit our pockets here in the Philippines. With fuel prices jumping and the Peso shifting, it’s easy to feel overwhelmed. But don’t panic—prepare.

Why am I making a post about it? This is not culture or book-related! Well, I want to help everyone. Hope this helps!

 Here is what you need to know to protect your budget and your family over the next few weeks.

🚩 What’s Getting More Expensive? (The "Monday Spike")

·         Expect a "Domino Effect." Because it costs more to move goods, almost everything will see a price adjustment.

·         Fuel is the big one: Gasoline and Diesel are seeing massive daily hikes (some as high as ₱20+ per liter).

·         Cooking Gas (LPG): Your 11kg tanks will likely be much more expensive by your next refill.

·         Your Electric Bill: Since some of our power comes from imported fuel, expect higher rates in your April/May billing.

·         The "Pantry Basics": Bread, canned goods, and instant noodles will likely see "shrinkflation" (smaller sizes) or direct price increases.

 

💡 Ways to "Crisis-Proof" Your Home

ü  The "Power Hour" Audit: Cut your AC usage by just 1 hour a day or shift heavy laundry to weekends. It offsets the rising generation charges.

ü  Route Planning: Stop the "quick trips" to the mall or store. Map out your errands so you only use the car once. Walk or use bikes instead. E-bikes are not advisable, as they will spike your power.

ü  Lessen eating out. Eat in and, if possible, do meal planning.

ü  Plant in your garden or even in pots. Plants like malunggay, calamansi, onions, sili, monggo, and others can grow in pots and small plots and can help you.

ü  Have some savings. Do not buy anything expensive or big, like cellphones.

ü  Dry or pickle things. It will last longer.

ü  Share and trade with neighbors.

🛒 Your Strategic Shopping List

Don't "panic buy" 50 sacks of rice—that creates a shortage for others. Instead, "Pantry Load" strategically:

1.    Fill the Tank NOW: If you have a vehicle, fill it up before Monday morning. Even a half-tank saves you hundreds of pesos right now.

2.    Check the LPG: If your kitchen tank feels light, swap it today. Don't wait for it to run out mid-month.

3.    Have a tank of drinking water in case of emergencies.

4.    The Essentials: Slowly stock up on non-perishables like:

   Rice and Rice alternatives

   Canned proteins (Sardines, Corned Beef, Tuna)

   Milk powder and Coffee

   Pasta and noodles

   Laundry and bath soap (petroleum is used in their production!)

   Basic medical needs like maintenance and flu medications

 

📅 How long will this last?

The markets are currently reacting to the closure of the Strait of Hormuz.

Ø  Best Case: If things de-escalate, we might see prices stabilize in 4 to 8 weeks.

Ø  Reality Check: Even if the conflict stops tomorrow, "sticky prices" mean grocery costs stay high for a few months. Plan your budget as if these prices are the "new normal" for at least the next 90 days.


Stay safe, stay informed, and let's help each other out! 

Tuesday, February 17, 2026

Genre, Tropes and Archetypes. What are they?

 It’s easy to see why these get mixed up—they’re the three main ingredients in the "storytelling soup." While they overlap, they function at different levels of a story's structure.

Think of it this way: Genre is the house, Tropes are the blueprint, and Archetypes are the furniture and decor.


1. Genre: The Category

Genre is the broadest level of classification. It sets the expectations for the setting, tone, and overall "vibe" of the story. It tells the reader what kind of experience they’re in for.

  • Function: Categorization and marketing.
  • Examples: Science Fiction, Fantasy, Noir, Romance, Horror.
  • The Litmus Test: If you changed the genre, the entire world and tone would have to change.


2. Trope: The Storytelling Tool

Tropes are specific patterns, motifs, or devices that writers use to convey information quickly. They are the "shortcuts" of storytelling. Unlike archetypes, tropes can become "clichés" if they are overused without a fresh twist.

  • Function: Narrative shorthand.
  • Examples: "The Chosen One," "Enemies to Lovers," "The Villain's Monologue," "The Grumpy/Sunshine Dynamic."
  • The Litmus Test: Is this a specific plot beat or character trait that you’ve seen in dozens of books or movies lately? That’s a trope.


3. Archetype: The furnishings

Archetypes are ancient, universal patterns that reside in our collective "storytelling DNA." They are the foundational "roles" or "shapes" that humans have recognized since we were telling stories around campfires. They are deeply psychological and rarely change across cultures. These mainly point to the characters.

  • Function: Providing a recognizable structure for human experiences.
  • Examples: The Hero, The Mentor, The Shadow, The Star-Crossed Lovers, The Quest.
  • The Litmus Test: Can this character or plot point be found in both ancient Greek myths and a modern Pixar movie? If yes, it’s an archetype.


Examples of Genres:

  • Romance
  • Historical
  • Adventure
  • Gothic
  • Suspense
  • Mystery
  • Horror
  • Comedy
  • High Fantasy
  • Christian Romance
  • Teen Fiction
  • Urban Fantasy
  • Bangsian


Sample Tropes:

  • Enemies to lovers
  • Friends to lovers
  • Forbidden romance
  • Opposites attract
  • Accidental pregnancy
  • Secret baby
  • Found family
  • Fake dating
  • Forced proximity
  • Cinderella romance
  • Small-town romance
  • Best friend’s sister/brother
  • Second chance
  • Workplace romance
  • Off-limits romance
  • Secret identity
  • Out of their league
  • Fated mates


Examples of Archetypes:

The Jungian Archetypes (Psychological)

  • The Inventor: Carl Jung (Early 20th Century)

Jung was a Swiss psychiatrist who believed these figures live in our "Collective Unconscious." He argued that every human, regardless of culture, is born with these mental blueprints. While he identified many, he is most famous for these 12:

  • The Innocent: Desires safety and happiness (e.g., Dorothy from The Wizard of Oz).
  • The Sage: Seeks knowledge and truth (e.g., Yoda).
  • The Explorer: Craves freedom and discovery (e.g., Indiana Jones).
  • The Rebel: Wants revolution and to overturn what isn't working (e.g., Robin Hood).
  • The Magician: Understands the fundamental laws of the universe to make things happen (e.g., Gandalf).
  • The Hero: Proves worth through courageous acts (e.g., Hercules).
  • The Lover: Seeks intimacy and experience (e.g., Romeo/Juliet).
  • The Jester: Lives in the moment with enjoyment (e.g., The Joker—the dark version).
  • The Everyman: Wants to belong and be "just like everyone else" (e.g., Arthur Dent).
  • The Caregiver: Protects and cares for others (e.g., Mary Poppins).
  • The Ruler: Control-oriented, seeking to create a prosperous community (e.g., Mufasa).
  • The Creator: Driven to foster something of enduring value (e.g., Tony Stark).


The Monomyth Archetypes (Narrative)

  • The Inventor: Joseph Campbell (1949)

In his book The Hero with a Thousand Faces, Campbell realized that almost every myth in history follows the same path. He identified specific "character functions" that the Hero meets along the way.

  • The Herald: The one who brings the "Call to Adventure" (e.g., Hagrid).
  • The Threshold Guardian: Tests the hero before they enter the new world (e.g., The Sphinx).
  • The Shapeshifter: A character whose loyalty is uncertain, keeping the hero off-balance (e.g., Catwoman).
  • The Shadow: The antagonist or the "dark mirror" of the hero (e.g., Darth Vader).


Let’s look at Samples of How These Three are used:

Star Wars (George Lucas)

  • The Genre: Space Opera (Fantasy in a Sci-Fi setting).
  • The Archetype: Luke Skywalker is The Hero; Obi-Wan is The Mentor. 
  • The Trope: The "Farm Boy with a Secret Heritage" and the "Evil Empire." These are specific storytelling "hooks" used to get the plot moving.


Pride & Prejudice (Jane Austen)

This is the gold standard for character-driven storytelling, where the social "rules" are just as important as the characters.

  • The Genre: Regency Romance / Comedy of Manners. The setting is strictly 19th-century England, focusing on social status and marriage.
  • The Archetype: The Lovers. Elizabeth and Darcy represent the universal human experience of seeking a partner. Mr. Collins is The Buffoon (a social archetype of the person who tries too hard and fails).
  • The Trope: Enemies to Lovers. This is the "furniture." They start off hating each other due to a "First Impression" (another trope!). You also have the "Meddling Mother" and the "Inheritance Plot."


Harry Potter (J.K. Rowling)

This series is a masterclass in using "The Hero’s Journey," which is essentially a map of archetypes.

  • The Genre: Fantasy / Young Adult / Mystery. It has magic (Fantasy), coming-of-age themes (YA), and usually a "whodunnit" or "what is it" plot in every book (Mystery).
  • The Archetype: Harry is The Chosen One, Dumbledore is The Mentor, and Voldemort is The Shadow, also Dark Lord Archetype. These are blueprints that have existed since ancient myths.
  • The Trope: The Chosen One. This is a specific narrative tool. Others include "The Secret Orphan," "The School of Magic," and the "Power of Friendship" (where the protagonist wins because of their bonds, not just their muscles).


The Hunger Games (Suzanne Collins)

This story takes ancient archetypes and puts them in a gritty, futuristic "house."

  • The Genre: Dystopian / Sci-Fi / Action. It’s a dark future where technology is used to oppress people.
  • The Archetype: Katniss is The Rebel/Guardian (protecting her sister). Peeta is The Caregiver. President Snow is The Tyrant.
  • The Trope: The Love Triangle. This is a classic YA trope used to create romantic tension. You also have "The Deadly Game" (characters forced to fight to the death) and "The Dressed-Up Hero" (where the protagonist is forced into a makeover to win over the public).
Sources:
https://www.writeforharlequin.com/hea-writing-week-2026-day-two-all-about-tropes/
https://www.masterclass.com/articles/what-are-the-different-genres-of-literature-a-guide-to-14-literary-genres
https://en.wikipedia.org/wiki/Jungian_archetypes
https://en.wikipedia.org/wiki/Hero%27s_journey